1. SPIDER ALARM 00:01:26 DARK, MUTED PIANO FORMS THE ONOMATOPOEIC BACKDROP FOR A COMPOSITION EXPRESSING HASTE AND MENACE.

2. ARP 00:01:12 GHOSTLY, NOISY PIANO WITH A MELODY THAT PROMISES SLIGHT HOPE. THE LIGHT AT THE END OF THE TUNNEL, THE DAWN OF BETTER TIMES ARE HINTED AT, WHILE DRONES IN THE BACKGROUND REPRESENT DANGER AND DESTRUCTION. WHAT WILL PREVAIL?

3. NO WAR 00:02:28 CASCADING SOLO SAXOPHONE FOR SOPHISTICATED DOCUMENTARIES AND FEATURE FILMS ABOUT TROUBLED TIMES. EMOTIONAL, HAUNTING.

5. LOST EVERYTHING 00:03:35 REVERBERATED PIANO LEAVES ROOM FOR REFLECTION AND EMPATHY. DESPITE HEAVY LOSSES, THE POSSIBILITY OF A NEW BEGINNING IS ALSO MUSICALLY SUGGESTED HERE. THE SECOND VERSION CONTAINS BIRD CALLS AND BASSY SAMPLES SUGGESTING DISTANT BATTLE NOISES.

7. BLUE FILM 00:01:31 THE NOISY BEGINNING DEVELOPS INTO A COMPARATIVELY LIVELY PIANO MOTIF. VERY SUITABLE FOR ARTHOUSE FILMS AND TOUCHING REPORTS ON SOCIAL, HISTORICAL OR EMOTIONAL TOPICS.

8. OCEAN VIBES 00:01:24 ARTISTIC ATMOSPHERE FOR SCENES OF LONELINESS, DEVASTATION OR DARK MEMORIES. LIKE A CITY SLOWLY SINKING INTO THE SEA, THE INDIVIDUAL PIANO AND SAXOPHONE FRAGMENTS SOUND BETWEEN THE NOISE BEFORE SINKING INTO ETERNAL SILENCE.

9. MELANCHOLY 00:00:58 SOUNDSCAPE WITH GENTLE SOLO PIANO FOR SAD SCENES. THOUGHTFUL, MELANCHOLIC, INTROVERTED.

10. MACHINE GUN 00:01:53 HESITANT, PARTICULARLY HAUNTING PIANO SCORE FOR ANTI-WAR FILMS, HISTORICAL DRAMAS AND DOCUMENTARIES FROM CRISIS AREAS. ALTERNATIVE VERSION WITH GUNSHOT SOUNDS AT THE BEGINNING.

12. SCREAM 00:02:06 A BLOODCURDLING SOUNDSCAPE WITH SCREAMS AT THE BEGINNING DEVELOPS INTO A REVERBERATED PIANO IMPROVISATION. FOR ANTI-WAR FILMS AND HISTORICAL OR PSYCHOLOGICAL DRAMAS.