1. THE HERO 00:02:18 THIS RETRO SOUNDSCAPE MOVES BETWEEN FLICKERING AND CREAKING - NOT JUST FOR SCIENCE FICTION. THIS IS WHAT IT MIGHT SOUND LIKE WHEN EXTRATERRESTRIAL CREATURES HATCH FROM THEIR HUMAN HOSTS.

3. LACK OF WATER 00:02:24 THE ROBOT CARAVAN MOVES ACROSS THE DESERT PLANET. ROCKING, DUBIOUS LASER CANNON DEALERS SPY OUT THE WASTELAND OF THE SANDY GIANT. HESITANT, EXOTIC, WAITING.

8. THE RUN 00:02:21 THE PIXELATED HERO IS ON THE RUN. THE HUNT LEADS THROUGH ENDLESS CORRIDORS, ACCOMPANIED BY HASTY SYNTHESIZER CASCADES AND REVERBERANT ELECTRONIC BEATS.

11. SUNSET 00:01:56 THE RADIOACTIVE SUN RISES PALELY ON THE NEON BEACH. THIS SCENARIO WAS NOT ONLY A NIGHTMARE FOR MANY PEOPLE IN THE 80S. HAUNTINGLY BEAUTIFUL SOUNDS FOR DYSTOPIAN IMAGES - AND ALSO A LITTLE HOPE.

13. LONELINESS 00:01:57 LOOMING THUNDERBOLTS FOR EERIE IMAGES. NOT ONLY A SUITABLE TRACK FOR HALLOWEEN FOR EVERYTHING THAT SHOULD CAUSE GOOSEBUMPS.

15. TENSION 00:01:09 DRAMATIC INTERMEZZO WITH LONG-DRAWN SYNTH SOUNDS AND DRUM BEATS. DARK DEVELOPMENTS TAKE THEIR COURSE.

17. THE SIGHT 00:02:33 FOR WHOM THE BELL TOLLS...REMAINS UNCERTAIN. MYSTICAL SOUNDS AND FADED CHIMES CREATE AN ATMOSPHERE OF THE UNCANNY AND UNFATHOMABLE.

23. GRIM 00:02:11 CLICKING PERCUSSIVE SOUNDS AND EBBING AND FLOWING ABSTRACT SOUNDS CREATE A TENSE, EERIE ATMOSPHERE OF HORROR, MYSTERY AND MENACE.

26. ENDURE 00:02:20 OPPRESSIVE SOUND FOR REALITY FORMATS AND THRILLING DOCUMENTARIES.

29. WIDE 00:02:37 SLOWLY BUT STEADILY THE SATELLITE MOVES ALONG ITS QUIET ORBIT. SLOW NEW AGE SYNTH PADS SHIMMER.

31. DESTROYED 00:00:45 EXPERIMENTAL SQUEAKY ELECTRONICS FOR SCIENCE FICTION OR SCIENTIFIC CONTRIBUTIONS BEYOND THE MAINSTREAM. FRAGMENTED, WAVERING.

32. NUCLEAR EFFECT 00:00:00 SYNTHESIZER SOUND EFFECT FOR (RETRO)FUTURISTIC SCENARIOS. BUBBLING, SQUEAKING.

33. NOT ALONE 00:01:46 INFINITE EXPANSES: THE SPACESHIP WITH THE LAST MEMBERS OF A LOST CIVILIZATION HAS BEEN TRAVELING FOR A LONG TIME TO FIND A NEW HOME PLANET IN SPACE. SPHERICAL, EPIC CINEMATIC SOUND.

34. WAIT OUT 00:02:09 THIS ELECTRONIC TRACK SOUNDS LIKE CURIOSITY AND ENTHUSIASM FOR TECHNOLOGY. REVERBERATING SYNTHESIZERS AND PLUCKING ABSTRACT SOUNDS CREATE AN OPTIMISTIC ATMOSPHERE.

36. CRUSH 00:03:06 IN A FUTURE WHERE TIME TRAVEL IS A REALITY, A BRILLIANT SCIENTIST DISCOVERS A RIFT IN THE SPACE-TIME CONTINUUM, LEADING TO AN ALTERNATE EARTH ON THE BRINK OF DESTRUCTION.

37. FLASH 00:01:24 EXPERIMENTAL ELECTRONICS LIKE STRAIGHT FROM THE 80S. ABSTRACT, FASCINATING.

39. IN THE CORNER 00:02:04 SYNTHESIZERS AND ABSTRACT SOUNDS CREATE A SENSE OF AWE AND WONDER AS MOVIE CHARACTERS EXPLORE DIFFERENT TIME PERIODS AND ENCOUNTER ADVANCED TECHNOLOGY.

40. DEBRIS 00:01:54 TENSE AND SUSPENSEFUL MUSIC WITH A MIX OF PULSATING RHYTHMS AND EERIE ELECTRONIC TONES, UNDERSCORING MOMENTS OF CONFLICT AND UNCERTAINTY.

42. EMPTINESS 00:02:04 SYNTHESIZER TRACK WITH INSPIRATION FROM NON-WESTERN CULTURES. INCLUDES TRACES OF TRADITIONAL INSTRUMENTS AND MELODIES, REIMAGINED WITH A FUTURISTIC TWIST TO ADD DEPTH AND AUTHENTICITY TO SCIENCE FICTION SCENARIOS.

43. IMAGES OF DESTRUCTION 00:01:51 EXPERIMENTAL SOUNDSCAPE THAT DISTORTS AND MANIPULATES FAMILIAR SOUNDS, ENHANCING THE SURREAL NATURE OF THE VISUAL EXPERIENCE.

44. CLUSTER 00:01:55 DARK SOUNDSCAPE WITH A THREATENING UNDERTONE. IDEAL FOR SCENES IN A POST-APOCALYPTIC, BLEAK WORLD.

45. IN THE RUINS 00:02:02 THE BROKEN HERO DRAGS HIMSELF THROUGH A LIGHTLESS LANDSCAPE OF RUINS, CONSTANTLY ON THE RUN FROM MURDEROUS POST-APOCALYPTIC CREATURES.

46. IRON CAR 00:01:04 CLICKY SOUNDSCAPE NOT JUST FOR STEAMPUNK FILMS. WAITING, GLARING, TECHNOCRATIC.

47. DINGKLONG 00:01:39 MANIPULATED BELL SOUNDS AND SHIMMERING ELECTRONIC IMPULSES. ABSTRACT AND NEBULOUS, PERFECT FOR EXPERIMENTAL FORMATS OR SCIENCE FICTION.

49. DISTANT FLUTE MELODIE 00:02:15 A TRACK LIKE A STRANGE TRIP, A CONFUSING HALLUCINATION. FLUTES SOUND IN THE DISTANCE WHILE THE SLOW BEAT CONTINUALLY MOVES INTO OPAQUE REALMS.