1. BLACK & BLUE 00:02:01 IF YOU ARE BLACK AND BLUE CHANCES ARE YOU ARE TIRED OR EVEN BEATEN, BUT YOU KEEP GOING. DOBRO AND HARMONICA TRUDGE ALONG TO THE BEAT OF THE BLUES. THE SLIDE GUITAR SPEAKS IN A SLOW AND MEASURED GROOVE AND THE HARMONICA CHIMES ALONG.

2. BLACK & BLUE NO HARMONICA 00:02:01 IF YOU ARE BLACK AND BLUE CHANCES ARE YOU ARE TIRED OR EVEN BEATEN, BUT YOU KEEP GOING. DOBRO TRUDGES ALONG TO THE BEAT OF THE BLUES WHILE THE SLIDE GUITAR SPEAKS IN A SLOW AND MEASURED GROOVE.

3. BLACK & BLUE UNDERSCORE 00:01:58 IF YOU ARE BLACK AND BLUE CHANCES ARE YOU ARE TIRED OR EVEN BEATEN, BUT YOU KEEP GOING. DOBRO AND HARMONICA TRUDGE ALONG TO THE BEAT OF THE BLUES.

4. CRAWFISH BOIL 00:02:11 A LAZY COUNTRY DAY AT THE COUNTY FAIR, WITH A SOFT BUT HAZY SUN SHINING DOWN. THE SMELL OF A CRAWFISH BOIL IS IN THE AIR AS YOU STAND DOWNWIND. LAZY RIFFS ON ACOUSTIC GUITAR, HONKY TONK HARMONICA CREATE A LAID BACK GROOVE AND AN UPBEAT MOOD GREAT FOR A PERFECT SUMMER AFTERNOON.

5. CRAWFISH BOIL NO HARMONICA 00:02:11 A LAZY COUNTRY DAY PERHAPS AT THE COUNTY FAIR, WITH A SOFT BUT HAZY SUN SHINING DOWN. THE SMELL OF A CRAWFISH BOIL IS IN THE AIR AS YOU STAND DOWNWIND. LAZY RIFFS ON ACOUSTIC GUITAR CREATE A LAID BACK GROOVE AND AN UPBEAT MOOD GREAT FOR A PERFECT SUMMER AFTERNOON.

6. CRAWFISH BOIL UNDERSCORE 00:02:11 A LAZY COUNTRY DAY PERHAPS AT THE COUNTY FAIR, WITH A SOFT BUT HAZY SUN SHINING DOWN. THE SMELL OF A CRAWFISH BOIL IS IN THE AIR AS YOU STAND DOWNWIND. LAZY RIFFS ON ACOUSTIC GUITAR, HONKY TONK HARMONICA CREATE A LAID BACK GROOVE AND AN UPBEAT MOOD GREAT FOR A PERFECT SUMMER AFTERNOON.

7. BOURBON STREET 00:02:14 WALKING DOWN BOURBON STREET IN NEW ORLEANS, BLUES IN THE AIR, ATTITUDES EVERYWHERE, STRUTTING AND DOING YOUR THING. GROOVY DOBRO RIFF STARTS IT OFF, ACOUSTIC SLIDE GUITAR JOINS IN. HARMONICA ALWAYS BACKING YOU. THIS TRACK HAS A COCKY ATTITUDE AND FEELS MIGHTY CONFIDENT.

8. BOURBON STREET NO HARMONICA 00:02:14 WALKING DOWN BOURBON STREET IN NEW ORLEANS, BLUES IN THE AIR, ATTITUDES EVERYWHERE, STRUTTING AND DOING YOUR THING. GROOVY DOBRO RIFF STARTS IT OFF, ACOUSTIC SLIDE GUITAR AND HARMONICA JOIN IN. THIS TRACK HAS A COCKY ATTITUDE AND FEELS MIGHTY CONFIDENT.

9. BOURBON STREET UNDERSCORE 00:02:14 WALKING DOWN BOURBON STREET IN NEW ORLEANS, BLUES IN THE AIR, ATTITUDES EVERYWHERE, STRUTTING AND DOING YOUR THING. GROOVY DOBRO RIFF STARTS IT OFF, ACOUSTIC SLIDE GUITAR JOINS IN. HARMONICA ALWAYS BACKING YOU. THIS TRACK HAS A COCKY ATTITUDE AND FEELS MIGHTY CONFIDENT.

10. JUST CHUGGIN' ALONG 00:02:18 WHEN YOU'RE CHUGGIN' ALONG YOU'RE JUST FOLLOWING THE GROOVE AND FINDING A PATH WITHOUT ANY THOUGHT. ACOUSTIC SLIDE GUITAR STARTS THE CHUGGIN' AND THE OTHERS REALLY HAVE NO CHOICE. HARMONICA AND DOBRO CHUG ALONG TOO, WITH A GROOVY RHYTHM SECTION. EVERYONE IS JUST CHUGGIN' AWAY.

11. JUST CHUGGIN' ALONG NO HARMONICA 00:02:18 WHEN YOU'RE CHUGGIN' ALONG YOU'RE JUST FOLLOWING THE GROOVE AND FINDING A PATH WITHOUT ANY THOUGHT. ACOUSTIC SLIDE GUITAR STARTS THE CHUGGIN' AND THE OTHERS REALLY HAVE NO CHOICE. DOBRO CHUGS ALONG TOO, WITH A GROOVY RHYTHM SECTION. EVERYONE IS JUST CHUGGIN' AWAY.

12. JUST CHUGGIN' ALONG UNDERSCORE 00:02:15 WHEN YOU'RE CHUGGIN' ALONG YOU'RE JUST FOLLOWING THE GROOVE AND FINDING A PATH WITHOUT ANY THOUGHT. HARMONICA CHUGS ALONG WITH A GROOVY RHYTHM SECTION. EVERYONE IS JUST CHUGGIN' AWAY.

13. PASS A GOOD TIME 00:01:51 IF YOU ARE A NATIVE TO THE SOUTH, YOU KNOW WHAT THIS MEANS, THE START TO A PERFECT AND CAREFREE EVENING. THIS SONG IS THE FIRST DRINK. AN EASY GROOVE THAT SETTLES THE MIND, LAZY HARMONICA RIFFS AND A DOBRO SPEAKING FREELY.

14. PASS A GOOD TIME NO LEAD GUITAR 00:01:51 IF YOU ARE A NATIVE TO THE SOUTH, YOU KNOW WHAT THIS MEANS, THE START TO A PERFECT AND CAREFREE EVENING. THIS SONG IS THE FIRST DRINK. AN EASY GROOVE THAT SETTLES THE MIND, LAZY HARMONICA RIFFS AND A DOBRO SPEAKING FREELY.

15. PASS A GOOD TIME UNDERSCORE 00:01:51 IF YOU ARE A NATIVE TO THE SOUTH, YOU KNOW WHAT THIS MEANS, THE START TO A PERFECT AND CAREFREE EVENING. THIS SONG IS THE FIRST DRINK. AN EASY GROOVE THAT SETTLES THE MIND, LAZY HARMONICA RIFFS AND A DOBRO SPEAKING FREELY.

16. STEEL DRIVING MAN 00:01:40 THE STEEL DRIVING MAN SWINGS HIS HAMMER AS HARD AS POSSIBLE, AND INTO THE ROCK. HE'S A MAN OF FEW WORDS. SLOW AND STEADY AS HE GOES. THIS TRACK HAS A SIMILAR RHYTHM, AN EVEN KEEL, BUT HARD AND UNYIELDING. SLOW BLUES WITH AN INSISTENT ATTITUDE.

17. STEEL DRIVING MAN NO HARMONICA 00:01:35 THE STEEL DRIVING MAN SWINGS HIS HAMMER AS HARD AS POSSIBLE, AND INTO THE ROCK. HE'S A MAN OF FEW WORDS. SLOW AND STEADY AS HE GOES. THIS TRACK HAS A SIMILAR RHYTHM, AN EVEN KEEL, BUT HARD AND UNYIELDING. SLOW BLUES WITH AN INSISTENT ATTITUDE.

18. STEEL DRIVING MAN UNDERSCORE 00:01:35 THE STEEL DRIVING MAN SWINGS HIS HAMMER AS HARD AS POSSIBLE, AND INTO THE ROCK. HE'S A MAN OF FEW WORDS. SLOW AND STEADY AS HE GOES. THIS TRACK HAS A SIMILAR RHYTHM, AN EVEN KEEL, BUT HARD AND UNYIELDING. SLOW BLUES WITH AN INSISTENT ATTITUDE.

20. MASON DIXIE LINE 00:02:31 THE MASON DIXIE LINE REPRESENTS A HISTORICAL AND CULTURAL BORDER BETWEEN THE NORTH AND SOUTH. THE BLUES ARE AMERICAN AND AMERICA IS THE BLUES. ACOUSTIC GUITAR STARTS A STEADY GROOVE AND A DOBRO SPEAKS ITS MIND WITH EASE AND FUN.

21. MASON DIXIE LINE NO HARMONICA 00:02:31 THE MASON DIXIE LINE REPRESENTS A HISTORICAL AND CULTURAL BORDER BETWEEN THE NORTH AND SOUTH. THE BLUES ARE AMERICAN AND AMERICA IS THE BLUES. ACOUSTIC GUITAR STARTS A STEADY GROOVE AND A DOBRO SPEAKS ITS MIND WITH EASE AND FUN.

22. MASON DIXIE LINE UNDERSCORE 00:02:29 THE MASON DIXIE LINE REPRESENTS A HISTORICAL AND CULTURAL BORDER BETWEEN THE NORTH AND SOUTH. THE BLUES ARE AMERICAN AND AMERICA IS THE BLUES. ACOUSTIC GUITAR STARTS A STEADY GROOVE AND A DOBRO SPEAKS ITS MIND WITH EASE AND FUN.

23. MAMA'S CORNBREAD 00:02:10 FOR PEOPLE IN THE SOUTH, CORNBREAD IS SERIOUS BUSINESS AND THERE AIN'T NOTHIN' LIKE MAMA'S. GENTLY PLUCKED DOBRO STARTS AN EASY MOOD. THE SLIDE GUITAR HAS SIMPLE STORIES TO TELL. RELAXED AND EASY VIBE.

24. MAMA'S CORNBREAD NO LEAD GUITAR 00:02:08 FOR PEOPLE IN THE SOUTH, CORNBREAD IS SERIOUS BUSINESS AND THERE AIN'T NOTHIN' LIKE MAMA'S. GENTLY PLUCKED DOBRO STARTS AN EASY MOOD. RELAXED AND EASY VIBE.

25. MAMA'S CORNBREAD UNDERSCORE 00:02:08 FOR PEOPLE IN THE SOUTH, CORNBREAD IS SERIOUS BUSINESS AND THERE AIN'T NOTHIN' LIKE MAMA'S. GENTLY PLUCKED DOBRO STARTS AN EASY MOOD. RELAXED AND EASY VIBE.

26. OLE DOWNHOME 00:02:04 A SIMPLE COUNTRY LIFE MAKES FOR SIMPLE PEOPLE. LIFE CAN BE SO EASY. WORK HARD ALL DAY AND END IT WITH SONG AND DANCE. PEOPLE STOMPING AND HAVING A GRAND TIME. DOBRO SLIDE STAR AND HARMONICA ARE IN A FUN MOOD AND FROLIC TILL THE WEE HOURS.

27. OLE DOWNHOME NO DRUMS 00:02:04 A SIMPLE COUNTRY LIFE MAKES FOR SIMPLE PEOPLE. LIFE CAN BE SO EASY. WORK HARD ALL DAY AND END IT WITH SONG AND DANCE. PEOPLE STOMPING AND HAVING A GRAND TIME. DOBRO SLIDE STAR AND HARMONICA ARE IN A FUN MOOD AND FROLIC TILL THE WEE HOURS.

28. OLE DOWNHOME UNDERSCORE 00:02:04 A SIMPLE COUNTRY LIFE MAKES FOR SIMPLE PEOPLE. LIFE CAN BE SO EASY. WORK HARD ALL DAY AND END IT WITH SONG AND DANCE. PEOPLE STOMPING AND HAVING A GRAND TIME. DOBRO SLIDE STAR AND HARMONICA ARE IN A FUN MOOD AND FROLIC TILL THE WEE HOURS.

30. LONESOME HOMESICK 00:02:54 THE BLUES HAVE OFTEN BEEN USED METAPHORICALLY AS SAD AND MELANCHOLIC MUSIC, NOT ALWAYS TRUE, BUT IN THIS CASE IT IS. ALONE AND TIRED, IT'S BEEN A HARD DAY. DOBRO LIKES TO TALK ABOUT JUST HOW HARD IT HAS BEEN, SO FAR FROM HOME. SLOW, MINOR BLUES WITH A LITTLE ELECTRIC PIANO FOR WARMTH.

31. LONESOME HOMESICK NO DRUMS 00:02:54 THE BLUES HAVE OFTEN BEEN USED METAPHORICALLY AS SAD AND MELANCHOLIC MUSIC, NOT ALWAYS TRUE, BUT IN THIS CASE IT IS. ALONE AND TIRED, IT'S BEEN A HARD DAY. DOBRO LIKES TO TALK ABOUT JUST HOW HARD IT HAS BEEN, SO FAR FROM HOME. SLOW, MINOR BLUES WITH A LITTLE ELECTRIC PIANO FOR WARMTH.

32. LONESOME HOMESICK UNDERSCORE 00:02:54 THE BLUES HAVE OFTEN BEEN USED METAPHORICALLY AS SAD AND MELANCHOLIC MUSIC, NOT ALWAYS TRUE, BUT IN THIS CASE IT IS. ALONE AND TIRED, IT'S BEEN A HARD DAY. DOBRO LIKES TO TALK ABOUT JUST HOW HARD IT HAS BEEN, SO FAR FROM HOME. SLOW, MINOR BLUES WITH A LITTLE ELECTRIC PIANO FOR WARMTH.

33. PEYOTE SUNSET 00:02:40 PEYOTE, A CACTUS, ALLOWS THE USER TO CONNECT WITH THE SPIRITUAL WORLD, OUTSIDE OF SPACE AND TIME. THIS TRACK, TOO, IS OUTSIDE THE REALM OF TIME, HAS NO TEMPO AND PUTS YOU IN AN AMBIENT SPACE WITH SLIDE DOBRO ON LAYERS OF NATIVE AMERICAN FLUTES AND SYNTHESIZER PADS.

34. PEYOTE SUNSET SOLO GUITAR 00:02:37 PEYOTE, A CACTUS, ALLOWS THE USER TO CONNECT WITH THE SPIRITUAL WORLD, OUTSIDE OF SPACE AND TIME. THIS TRACK, TOO, IS OUTSIDE THE REALM OF TIME, HAS NO TEMPO AND PUTS YOU IN AN AMBIENT SPACE WITH SLIDE DOBRO.

35. PEYOTE SUNSET NO GUITAR 00:02:40 PEYOTE, A CACTUS, ALLOWS THE USER TO CONNECT WITH THE SPIRITUAL WORLD, OUTSIDE OF SPACE AND TIME. THIS TRACK, TOO, IS OUTSIDE THE REALM OF TIME, HAS NO TEMPO AND PUTS YOU IN AN AMBIENT SPACE WITH ON LAYERS OF NATIVE AMERICAN FLUTES AND SYNTHESIZER PADS.

36. JIM CROW 00:02:41 SOMETIMES WE MUST FACE A DARKNESS FROM OUR PAST, OR THE PAST OF OUR ANCESTORS. THIS DARKNESS WILL PUT YOU IN AN UNCOMFORTABLE SPACE WHERE YOU ARE FORCED TO CONFRONT YOUR DEMONS. A TEMPOLESS TRACK, AMBIENT, DARK AND MOODY WITH THE DOBRO, ONCE AGAIN, AT THE FORE.

37. JIM CROW SOLO GUITAR 00:02:36 SOMETIMES WE MUST FACE A DARKNESS FROM OUR PAST, OR THE PAST OF OUR ANCESTORS. THIS DARKNESS WILL PUT YOU IN AN UNCOMFORTABLE SPACE WHERE YOU ARE FORCED TO CONFRONT YOUR DEMONS. A TEMPOLESS TRACK, AMBIENT, DARK AND MOODY WITH THE DOBRO, ONCE AGAIN, AT THE FORE.

38. JIM CROW NO GUITAR 00:02:41 SOMETIMES WE MUST FACE A DARKNESS FROM OUR PAST, OR THE PAST OF OUR ANCESTORS. THIS DARKNESS WILL PUT YOU IN AN UNCOMFORTABLE SPACE WHERE YOU ARE FORCED TO CONFRONT YOUR DEMONS. A TEMPOLESS TRACK, AMBIENT, DARK AND MOODY.

39. TROUBLED TIMES 00:02:13 TROUBLED TIMES TEST OUR SOULS AND THEY BRING OUT WHAT HIDES INSIDE OF US. SOMETIMES GOOD, SOMETIMES BAD. WHATS HIDING INSIDE OF YOU? SLOW AND EXPRESSIVE SLIDE DOBRO ON A LAYER OF SYNTHS AND LANGUID HARMONICA. TIMELESS AND FORMLESS.

40. TROUBLED TIMES NO HARMONICA 00:02:13 TROUBLED TIMES TEST OUR SOULS AND THEY BRING OUT WHAT HIDES INSIDE OF US. SOMETIMES GOOD, SOMETIMES BAD. WHATS HIDING INSIDE OF YOU? SLOW AND EXPRESSIVE SLIDE DOBRO ON A LAYER OF SYNTHS. TIMELESS AND FORMLESS.

41. TROUBLED TIMES NO GUITAR 00:02:12 TROUBLED TIMES TEST OUR SOULS AND THEY BRING OUT WHAT HIDES INSIDE OF US. SOMETIMES GOOD, SOMETIMES BAD. WHATS HIDING INSIDE OF YOU ? SLOW AND EXPRESSIVE ON A LAYER OF SYNTHS AND LANGUID HARMONICA. TIMELESS AND FORMLESS.