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MML359
MEDIATRACKS MEDIATRACKS Space TimeComposed by Kerry Beaumount. Acoustic and electronic instruments with pipe organ inspired by soundtrack from the film Interstellar |
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1. WEIGHTLESSNESS 00:02:34 SLOW, REFLECTIVE, SPACIOUS, MEDITATIVE, DREAMY TEXTURE, WITH BACKGROUND COMPUTER-SIGNALLING PHRASES.
2. WEIGHTLESSNESS 00:02:31 UNDERSCORE
3. WEIGHTLESSNESS 00:02:20 UNDERSCORE ALT;
4. WEIGHTLESSNESS 00:02:22 UNDERSCORE ALT; 2
5. WEIGHTLESSNESS 00:01:00 60S
6. WEIGHTLESSNESS 00:00:30 30S
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7. SUSPENSION 00:02:17 EXTREMELY SLOW AND SUSTAINED ORGAN NOTES IN A REVERBERANT ACOUSTIC, DREAMY, PEACEFUL, OTHER-WORLDLY, POSITIVE, IN A MAJOR KEY. ENDS WITH A FULL ORGAN CHORD CRESCENDO.
8. SUSPENSION 00:02:03 UNDERSCORE
9. SUSPENSION 00:01:00 60S
10. SUSPENSION 00:00:30 30S
11. SUSPENSION 00:00:19 CHORD
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12. SPACE DRIFT 00:02:05 ORGAN FLUTE STOP PHRASES OVER A SPACIOUS AND BREATHY VOCAL PAD CREATE A MOOD OF MYSTERY AND SLIGHTLY UNEASY SPACE.
13. SPACE DRIFT 00:02:04 UNDERSCORE
14. SPACE DRIFT 00:02:00 UNDERSCORE ALT;
15. SPACE DRIFT 00:01:00 60S
16. SPACE DRIFT 00:00:30 30S
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17. SPACE CHANT 00:02:21 TIMELESS, PEACEFUL MYSTERY EFFECT USING SLOW, ORNATE ORGAN FLUTE STOP SOLO LINE OVER A DRONE BASS WITH SYNTHESIZER AND VOCAL PADS
18. SPACE CHANT 00:02:19 UNDERSCORE
19. SPACE CHANT 00:02:20 UNDERSCORE ALT;
20. SPACE CHANT 00:01:00 60S
21. SPACE CHANT 00:00:30 30S
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23. INFINITY HOME 00:02:26 MAIN ALT;
24. INFINITY HOME 00:02:28 UNDERSCORE
25. INFINITY HOME 00:01:00 60S
26. INFINITY HOME 00:00:30 30S
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27. HORIZON ZENITH 00:02:52 A MYSTICAL, HIGH ORGAN MELODY SLOWLY UNWINDS OVER A DEEP, SUSTAINED BASS, ENDING PEACEFULLY.
28. HORIZON ZENITH 00:02:52 UNDERSCORE
29. HORIZON ZENITH 00:02:52 UNDERSCORE ALT;
30. HORIZON ZENITH 00:01:00 60S
31. HORIZON ZENITH 00:01:00 60 SECOND ALT;
32. HORIZON ZENITH 00:00:30 30S
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33. FREE SPIN 00:02:31 A HYPNOTIC ENSEMBLE OF FELT PIANO, PIPE ORGAN FLUTES AND SYNTHESIZER PADS CREATING A GAMELAN-LIKE TEXTURE AND AN ENTRANCING MOOD.
34. FREE SPIN 00:02:29 UNDERSCORE
35. FREE SPIN 00:02:31 UNDERSCORE ALT;
36. FREE SPIN 00:01:00 60S
37. FREE SPIN 00:00:30 30S
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38. FIRST E.V.A. 00:02:25 SPACEY SHORT PHRASES USING AN ORGAN FLUTE STOP WITH VERY LONG REVERBERATION, AND A VERY DISTANT VOCAL PAD CREATING A SENSE OF FLOATING IN SPACE
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43. FIRST DAWN 00:02:16 UNDERSCORE
44. FIRST DAWN 00:01:00 60S
45. FIRST DAWN 00:00:30 30S
46. FIRST DAWN 00:00:14 CHORD
47. FIRST DAWN 00:00:11 CHORD WITH FADE IN
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48. ECHOES OF TIMES 00:02:37 SPACEY AND MYSTERIOUS, MINIMALIST, ECHOED PIPE ORGAN CHORDS, SUGGESTING TIMELESS OR HIGHLY ENGINEERED CIRCUMSTANCES. A BASS NOTE FIGURE PUNCTUATES WITH PURPOSE.
49. ECHOES OF TIMES 00:02:38 UNDERSCORE
50. ECHOES OF TIMES 00:01:00 60S
51. ECHOES OF TIMES 00:00:30 30S
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52. DISPLAY TECH 00:02:41 MYSTERIOUS AND EXPECTANT SPACE TEXTURE USING ORGAN FLUTE OSTINATO, AGAINST STRING CHORDS, AND A SYNTHESIZER PULSATING BASS
53. DISPLAY TECH 00:02:37 UNDERSCORE
54. DISPLAY TECH 00:01:00 60S
55. DISPLAY TECH 00:01:00 60 SECOND ALT;
56. DISPLAY TECH 00:00:30 30S
57. DISPLAY TECH 00:00:30 30 SECOND ALT;
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58. CONTACT OBJECTIVE 00:01:40 CREATING A MOOD OF RISING TENSION OR INTEREST, A STRINGS AND ORGAN OSTINATO BUILDS IN VOLUME AND INTENSITY BUT ENDS WITH A QUIET SUSTAINED BASS NOTE FROM THE ORGAN
59. CONTACT OBJECTIVE 00:00:41 MAIN (SHORTER)
60. CONTACT OBJECTIVE 00:01:36 UNDERSCORE
61. CONTACT OBJECTIVE 00:00:41 UNDERSCORE (SHORTER)
62. CONTACT OBJECTIVE 00:01:00 60S
63. CONTACT OBJECTIVE 00:00:32 30S
64. CONTACT OBJECTIVE 00:00:08 CHORD
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66. SIGNAL BEACON 00:02:47 UNDERSCORE
67. SIGNAL BEACON 00:02:46 UNDERSCORE ALT;
68. SIGNAL BEACON 00:01:00 60S
69. SIGNAL BEACON 00:00:30 30S
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