1. EVERY WORD 00:03:21 EMOTIONAL CELLOS AS AN INTRO, FOLLOWED BY INTIMATE VOCALS AND GUITAR. ELECTRONIC SUBTLE DRUMS AND BELLS ARE ADDED IN THE MIDDLE, AND THE ENDING FEAUTURES LARGE STRINGS, SUBTLE DRIVING DRUMS AND CHOIRS.

4. FRAUDS 00:03:31 PIANO DRONE INTRO THAT IS JOINED BY SUBTLE GUITARS AND VOCALS, FOLLOWED BY INTIMATE CELLOS AND AN ORCHESTRAL ENDING WITH SYNTHS, STRINGS AND DRUMS.

7. LIKE YOU 00:04:08 DRIVING AND SERIOUS PIANO CHORDS AS AN INTRO, FOLLOWED BUT INTIMATE VOCALS AND DARK CELLOS. THE MELODY KEEPS REPEATING WITH DIFFRENT CHORDS UNDERNEATH THROUGHOUT THE PIECE AND IS LATER ADDED WITH DRIVING SUBTLE DRUMS, STRINGS AND CHOIR.

10. SAID AND DONE 00:03:36 EERIE PIANO PIECE THAT IS ACCOMPANIED WITH VOCALS AND SUBTLE DRUMS. THE CELLOS ARE DARK AND SINISTER. THE ENDING PART IS A SWINGY MIX OF AN ODD DRUM GROOVE, PIANO STRINGS AND VOCALS.

13. TOMORROW 00:04:23 DRIVING RHODES INTRO, FOLLOWED BY BOTH FEMALE AND MALE VOCALS THAT SING TOGETHER AT THE END. THE PIECE ALSO INCLUDES EMOTIONAL CELLOS AND SUBTLE ELECTRONIC DRUMS.

16. WHAT ALL OF US FOUND 00:03:25 DRAMATIC PIANO CHORDS AS AN INTRO, WITH VOCALS ADDING ON LATER. TOWARDS THE MIDDLE SUBTLE ELECTRONIC DRUMS AND CELLOS ARE ADDED, AND THE ENDING FEATURES INTRIMATE EMOTIONAL STRING PARTS AND A DRUM GROOVE.