ATEN1001
ADRENALIN PRODUCTION MUSIC A TENSION Light Medium Tension vol.1Twitchy, spine tingling light to medium tension - perfect for reality TV! |
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1. PINS AND NEEDLES 00:02:45 SPINE TINGLING TENSION UNDERSCORE TO GIVE YOU PINS AND NEEDLES
2. PINS AND NEEDLES 00:02:45 NO LEADS
3. PINS AND NEEDLES 00:02:45 NO PADS
4. PINS AND NEEDLES 00:02:45 NO PADS; NO DRUMS
5. PINS AND NEEDLES 00:02:45 NO DRUMS
6. PINS AND NEEDLES 00:02:45 NO KICK
7. PINS AND NEEDLES 00:02:45 NO HIHATS; NO SHAKER
8. PINS AND NEEDLES 00:02:45 DRUMS ONLY
9. PINS AND NEEDLES 00:02:45 PIANO; KALIMBA
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10. COLD CAPERS 00:01:58 QUAVERING, NERVOUS PIANO WEAVES AROUND PLUCKED STRINGS AND INSISTENT BEATS
11. COLD CAPERS 00:01:58 NO BASS; NO PERCUSSION
12. COLD CAPERS 00:01:58 NO BASS; NO PERCUSSION; NO VIOLIN PIZZ
13. COLD CAPERS 00:01:58 NO BIG DRUMS
14. COLD CAPERS 00:01:58 NO BIG DRUMS; NO HARP; NO MALLETS
15. COLD CAPERS 00:01:58 NO PERC
16. COLD CAPERS 00:01:58 NO PIANO; NO HARP; NO MALLETS
17. COLD CAPERS 00:01:58 PERCUSSION ONLY
18. COLD CAPERS 00:01:58 STRINGS; PIANO; HARP
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19. CUNNING STUNTS 00:01:52 TENSE, SHARP ELECTRONIC BEATS AND SYNTHS CREATE A SENSE OF ANTICIPATION
20. CUNNING STUNTS 00:01:52 NO BASS SYNTH
21. CUNNING STUNTS 00:01:52 NO BASS SYNTH; NO KICK; NO FILTER FX
22. CUNNING STUNTS 00:01:52 NO FILTER FX
23. CUNNING STUNTS 00:01:52 NO PIANOS
24. CUNNING STUNTS 00:01:52 NO DRUMS
25. CUNNING STUNTS 00:01:52 NO KICK; NO RIDE; NO PIANOS
26. CUNNING STUNTS 00:01:52 DRUMS
27. CUNNING STUNTS 00:01:52 PIANOS
28. CUNNING STUNTS 00:01:52 SYNTHS
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29. SHIFTING ALLIANCES 00:01:58 DISSONANT CHORDS AND HEAVY BEATS COMBINED TO MAKE AN ANXIOUS SOUNDSCAPE
30. SHIFTING ALLIANCES 00:01:58 LESS PERCUSSION
31. SHIFTING ALLIANCES 00:01:58 NO BASS
32. SHIFTING ALLIANCES 00:01:58 NO MALLETS
33. SHIFTING ALLIANCES 00:01:58 NO BIG DRUMS
34. SHIFTING ALLIANCES 00:01:58 MALLETS
35. SHIFTING ALLIANCES 00:01:58 PADS
36. SHIFTING ALLIANCES 00:01:58 PERCUSSION; FX
37. SHIFTING ALLIANCES 00:01:58 SYNTHS; PADS
38. SHIFTING ALLIANCES 00:01:58 BASS
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39. DEVIOUS 00:02:09 SCRATCHY, TWITCHING BEATS UNDERPIN THIS UNSETTLING TRACK
40. DEVIOUS 00:02:09 NO 8BIT DRUMS
41. DEVIOUS 00:02:09 NO DRUMS
42. DEVIOUS 00:02:09 8BIT DRUMS; PADS; SYNTHS
43. DEVIOUS 00:02:09 8BIT DRUMS; PADS
44. DEVIOUS 00:02:09 SYNTHS ONLY
45. DEVIOUS 00:02:09 PADS ONLY
46. DEVIOUS 00:02:09 PADS; DRUMS
47. DEVIOUS 00:02:09 DRUMS ONLY
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48. SNEAKERS 00:02:00 TWITCHY PERCUSSION AND MALLETS ON A BED OF DEEP BASS TONES
49. SNEAKERS 00:02:00 NO BASS
50. SNEAKERS 00:02:00 NO BASS; NO PERC
51. SNEAKERS 00:02:00 NO MALLETS
52. SNEAKERS 00:02:00 BASS; MALLETS ONLY
53. SNEAKERS 00:02:00 BASS; PERC ONLY
54. SNEAKERS 00:02:00 PADS; MALLETS ONLY
55. SNEAKERS 00:02:00 PERC; FX ONLY
56. SNEAKERS 00:02:00 PADS ONLY
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57. DOUBLE DEAL 00:02:28 ANXIOUS PIANO AND PADS WITH SCRATCHY ELECTRONIC EDGES
58. DOUBLE DEAL 00:02:28 LESS PERC
59. DOUBLE DEAL 00:02:28 NO BASS
60. DOUBLE DEAL 00:02:28 NO DRUMS
61. DOUBLE DEAL 00:02:28 BASS; PADS
62. DOUBLE DEAL 00:02:28 PADS; PIANO; MALLETS
63. DOUBLE DEAL 00:02:28 PIANO; MALLETS
64. DOUBLE DEAL 00:02:28 DRUMS; BASS
65. DOUBLE DEAL 00:02:28 DRUMS
66. DOUBLE DEAL 00:02:28 PADS ONLY
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67. ESPIONAGE 00:02:16 DENSELY LAYERED PERCUSSION AND SYNTH CREATE AN ATMOSPHERE READY FOR UNDERCOVER ACTION
68. ESPIONAGE 00:02:16 NO ELECTRO LOOP
69. ESPIONAGE 00:02:16 NO KICK
70. ESPIONAGE 00:02:16 NO DRUMS
71. ESPIONAGE 00:02:16 SYNTHS; PADS; ELECTRO LOOP
72. ESPIONAGE 00:02:16 PERC; PADS
73. ESPIONAGE 00:02:16 PADS
74. ESPIONAGE 00:02:16 DRUMS; PERC
75. ESPIONAGE 00:02:16 SYNTHS
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76. SHADOWING 00:02:30 TENSE PIANO INTRO AND BOOMING BEATS CREATES A SENSE OF UNDERCOVER TRAILING
77. SHADOWING 00:02:30 NO BIG DRUMS
78. SHADOWING 00:02:30 NO PERC; NO BASS
79. SHADOWING 00:02:30 NO PIANO
80. SHADOWING 00:02:30 NO PERC
81. SHADOWING 00:02:30 PERC AND BASS ONLY
82. SHADOWING 00:02:30 PIANO ONLY
83. SHADOWING 00:02:30 PADS ONLY
84. SHADOWING 00:02:30 PERC ONLY
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85. SLIPPERY 00:02:04 HESITANT SYNTHS AND DEEP, BASS TROUGHS COMBINE TO CREATE A SENSE OF ELUSIVE TENSION
86. SLIPPERY 00:02:04 NO BASS
87. SLIPPERY 00:02:04 NO DRUMS
88. SLIPPERY 00:02:04 SYNTHS; PADS
89. SLIPPERY 00:02:04 SYNTHS
90. SLIPPERY 00:02:04 PADS
91. SLIPPERY 00:02:04 MALLETS
92. SLIPPERY 00:02:04 BASS; SYNTHS; PADS
93. SLIPPERY 00:02:04 DRUMS; BASS
94. SLIPPERY 00:02:04 DRUMS
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95. UNUSUAL SUSPECTS 00:01:53 SPARSE, OMINOUSLY THREATENING SYNTHS INTRO BUILDS TO A LAYERED CRESCENDO
96. UNUSUAL SUSPECTS 00:01:53 NO BASS; NO KICK
97. UNUSUAL SUSPECTS 00:01:53 NO DRUMS
98. UNUSUAL SUSPECTS 00:01:53 HARP; MALLETS; PADS
99. UNUSUAL SUSPECTS 00:01:53 HARP; MALLETS
100. UNUSUAL SUSPECTS 00:01:53 BASS; PADS
101. UNUSUAL SUSPECTS 00:01:53 SYNTHS ONLY
102. UNUSUAL SUSPECTS 00:01:53 PADS ONLY
103. UNUSUAL SUSPECTS 00:01:53 DRUMS
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104. MACHINATIONS 00:02:07 INSISTENT GUITAR RIFFS WIND AROUND A DENSE, LAYERED ELECTRONIC LANDSCAPE OF PLOTS AND SCHEMES
105. MACHINATIONS 00:02:07 NO GUITARS
106. MACHINATIONS 00:02:07 NO HITS; NO KICK
107. MACHINATIONS 00:02:07 NO DRUMS
108. MACHINATIONS 00:02:07 PADS; GUITARS
109. MACHINATIONS 00:02:07 PADS ONLY
110. MACHINATIONS 00:02:07 DRUMS ONLY