EMM106
EVOLUTION MEDIA MUSIC EVOLUTION MEDIA MUSIC Hidden EvilTense, dark, and spine-chilling cues for horror, suspense, and psychological thrillers. |
-
1. PRESENCE (A) 00:02:48 BLEAK, SUSPENSEFUL SYNTHS BUILD TO OMINOUS LOW STRINGS AND A PIANO THEME, WITH AGGRESSIVE, DISTORTED DRUMS AND SAVAGE HORROR HITS.
29. PRESENCE (A 30) 00:00:30 30 SECOND EDIT
44. PRESENCE (A 60) 00:01:00 60 SECOND EDIT
15. PRESENCE (B) 00:02:48 UNDERSCORE
58. PRESENCE (STING) 00:00:07 STING EDIT
-
2. SHADOWING OUTSIDER (A) 00:02:09 POWERFUL, DARKLY PULSATING RHYTHMS AND AN INTENSELY MENACING SYNTH THEME; DARK, FEROCIOUS, REMORSELESS.
30. SHADOWING OUTSIDER (A 30) 00:00:30 30 SECOND EDIT
45. SHADOWING OUTSIDER (A 60) 00:01:00 60 SECOND EDIT
16. SHADOWING OUTSIDER (B) 00:02:50 UNDERSCORE
59. SHADOWING OUTSIDER (STING) 00:00:07 STING EDIT
-
3. SPIRIT OF THE DAMNED (A) 00:02:21 A CREEPY, DISEMBODIED VOCAL AND GHOSTLY ORCHESTRA CREATE A SUPERNATURAL SUSPENSE.
31. SPIRIT OF THE DAMNED (A 30 1) 00:00:30 30 SECOND EDIT
32. SPIRIT OF THE DAMNED (A 30 2) 00:00:30 30 SECOND EDIT
46. SPIRIT OF THE DAMNED (A 60) 00:01:00 60 SECOND EDIT
17. SPIRIT OF THE DAMNED (B) 00:02:21 UNDERSCORE
60. SPIRIT OF THE DAMNED (STING 1) 00:00:06 STING EDIT
61. SPIRIT OF THE DAMNED (STING 2) 00:00:09 STING EDIT
-
4. ENEMY IS STILL ALIVE (A) 00:02:47 DEEP, BROODING BASS SYNTHS BUILD AN INTENSELY DARK SUSPENSE, BROKEN AT 1.25 WITH SUDDEN, BRUTAL, DISTORTED PERCUSSION ACTION.
33. ENEMY IS STILL ALIVE (A 30) 00:00:29 30 SECOND EDIT
47. ENEMY IS STILL ALIVE (A 60) 00:00:59 60 SECOND EDIT
18. ENEMY IS STILL ALIVE (B) 00:02:47 UNDERSCORE
62. ENEMY IS STILL ALIVE (STING) 00:00:07 STING EDIT
-
5. MALICE (A) 00:02:25 MALEVOLENT HORROR CUE WITH FRANTIC TREMOLO STRINGS AND MOMENTS OF UNNERVING SPACE, PUNCTUATED BY HIDEOUS, BUILDING HITS.
34. MALICE (A 30) 00:00:30 30 SECOND EDIT
48. MALICE (A 60) 00:01:00 60 SECOND EDIT
19. MALICE (B) 00:02:15 UNDERSCORE
63. MALICE (STING) 00:00:06 STING EDIT
-
6. EXTINCTION (A) 00:02:45 DARK, CAVERNOUS SYNTHS AND PREPARED PIANO LEAD TO BUILDING, UNSETTLING STRINGS IN THIS GOTHIC HORROR CUE.
35. EXTINCTION (A 30) 00:00:30 30 SECOND EDIT
49. EXTINCTION (A 60) 00:00:59 60 SECOND EDIT
20. EXTINCTION (B) 00:02:45 UNDERSCORE
64. EXTINCTION (STING) 00:00:06 STING EDIT
-
7. STAB IN THE DARK (A) 00:02:45 STABBING ORCHESTRAL HITS CREATE KNIFE-EDGE TENSION, ENDING IN A TERRIFYING ACTION BUILD FROM 2.19.
36. STAB IN THE DARK (A 30) 00:00:30 30 SECOND EDIT
50. STAB IN THE DARK (A 60) 00:01:00 60 SECOND EDIT
21. STAB IN THE DARK (B) 00:02:45 UNDERSCORE
65. STAB IN THE DARK (STING) 00:00:06 STING EDIT
-
8. THE TRUTH (A) 00:02:41 PARANORMAL, SKIN-CRAWLING HORROR ATMOSPHERE WITH HAUNTING, WORDLESS VOCAL AND PIANO LEADS TO A TWISTED, CHAOTIC BUILD OF TERRIFYING, CLIMACTIC HITS.
37. THE TRUTH (A 30) 00:00:30 30 SECOND EDIT
51. THE TRUTH (A 60) 00:01:00 60 SECOND EDIT
22. THE TRUTH (B) 00:02:41 UNDERSCORE
66. THE TRUTH (STING) 00:00:07 STING EDIT
-
9. BAD DOLLY (A) 00:02:30 WARPED, EERIE CHILD-LIKE MUSIC BOX BUILDS TO A LARGE, HYBRID ORCHESTRAL THEME, FULL OF DARKNESS AND FEAR.
38. BAD DOLLY (A 30) 00:00:30 30 SECOND EDIT
52. BAD DOLLY (A 60) 00:01:00 60 SECOND EDIT
23. BAD DOLLY (B) 00:02:25 UNDERSCORE
67. BAD DOLLY (STING) 00:00:08 STING EDIT
-
10. DEAD HOUSE (A) 00:02:52 HYBRID ORCHESTRAL HORROR SCORE FULL OF OMINOUS TENSION AND EXPECTATION; BUILDS TO HIT POINTS AT 1.25 AND 1.41.
39. DEAD HOUSE (A 30) 00:00:30 30 SECOND EDIT
53. DEAD HOUSE (A 60) 00:01:00 60 SECOND EDIT
24. DEAD HOUSE (B) 00:02:51 UNDERSCORE
68. DEAD HOUSE (STING) 00:00:07 STING EDIT
-
11. NIGHT TERRORS (A) 00:02:38 EERIE STRINGS BURST INTO PERCUSSIVE HORROR HITS AND CHILLING HOWLS OF DESPAIR FROM AN ERHU VIOLIN.
40. NIGHT TERRORS (A 30) 00:00:30 30 SECOND EDIT
54. NIGHT TERRORS (A 60) 00:01:00 60 SECOND EDIT
25. NIGHT TERRORS (B) 00:02:38 UNDERSCORE
69. NIGHT TERRORS (STING) 00:00:07 STING EDIT
-
12. AWAKENING THE BEAST (A) 00:02:43 HORROR TENSION WITH A HINT OF JOHN CARPENTER; SINISTER, UNSETTLING PIANO THEME WITH DEEP, MYSTERIOUS SYNTHS AND GRITTY ELECTRONIC PERCUSSION.
41. AWAKENING THE BEAST (A 30) 00:00:30 30 SECOND EDIT
55. AWAKENING THE BEAST (A 60) 00:01:00 60 SECOND EDIT
26. AWAKENING THE BEAST (B) 00:02:43 UNDERSCORE
70. AWAKENING THE BEAST (STING) 00:00:07 STING EDIT
-
13. OTHERWORLD (A) 00:02:32 SPINE-CHILLING ATMOSPHERE WITH DISCORDANT, ANGULAR BELLS AND DISTORTED SYNTHETICS THAT BUILDS A SUBTLE, GHOSTLY TENSION.
42. OTHERWORLD (A 30) 00:00:30 30 SECOND EDIT
56. OTHERWORLD (A 60) 00:01:00 60 SECOND EDIT
27. OTHERWORLD (B) 00:02:31 UNDERSCORE
71. OTHERWORLD (STING) 00:00:07 STING EDIT
-
14. FEARFUL TALE (A) 00:02:54 UNEASY, DISTANT PIANO LEADS TO ANXIOUS STRINGS, JARRING, METALLIC HITS AND DRIVING DRUMS IN AN INTENSE, TERRIFYING FINALE.
43. FEARFUL TALE (A 30) 00:00:30 30 SECOND EDIT
57. FEARFUL TALE (A 60) 00:01:00 60 SECOND EDIT
28. FEARFUL TALE (B) 00:02:44 UNDERSCORE
72. FEARFUL TALE (STING) 00:00:07 STING EDIT